Because ostriches make me think of Bob Log III for some reason, here he is once again with his monkey paw and his Silvertone Archback slide guitar madness.
So get your guitar and use the patented Bob Log tuning (A–A–E–A–C#–E) and play along if you can.
Bob Log III is back!
Well, he never left since the guy tours constantly and plays over 300 shows a year (I’m guessing), but he is back with his first album in 6 years! Actually, the new album was released back in March, so I’m super late about the whole thing. Either way, if that doesn’t make you happy, it should, because Bob Log III will melt your brain with his furious slide guitar. And everyone needs their brain melted once in awhile.
I have a soft spot in my heart for Bob Log III. The man plays Silvertone arch top guitars and if you’ve been reading my posts, you’ll remember that one time where I postulated profusely about my own Silvertone. If you don’t remember, well just scroll down. Or click the Silvertone tag. Or don’t.
I guess you can describe Bob’s style as fast Delta Blues, but what makes his sound unique is the ultra-low bass string tuning. In this tuning, the bass lines are present while he can plays the rhythm, so he gets a fuller sound. Those low strings are slack, in a JJ Cale kinda way. But where JJ Cale is slow and groovy, Bob Log is fast and dirty. Filthy even. Here are the specs on his tuning:
A–A–E–A–C#–E <— Remember that the low A is tuned low. Really low.
The new album is called My Shit is Perfect, which alludes to his flawless playing and timing. He’s just one of those guys who’s always in the zone when he plays. I won’t even go into detail about the helmet, the cannonball suit, or the telephone microphone. Just expect to hear more sleazy sex and scotch induced slide guitar from my favorite one-man band.
Bob is also probably the only musician to ever ‘raft’ the crowd. Just watch the video and you’ll see what I mean.
A few years back, I walked into a used guitar store in Montreal, Quebec intent on buying a Fender Telecaster. I always loved the tone and versatility of the Tele and it’s shape fits me well. Plus, it’s the perfect weight for me, unlike those Gibson Les Paul’s which are known to be back-breakers. So I tried out a few vintage Tele’s, but they were between $1500 and $3000, which was slightly out of my budget. Yeah, just slightly 
Then I spotted a couple of Silvertone‘s which caught my eye due to their black/white retro look (retro today, modern in 1960). I had sort of heard about Silvertones, but never really paid much attention to them. 90% of us guitar players have our hearts set on either a Fender Stratocaster or Gibson Les Paul from the first time we saw Eric Clapton (that racist!) slowly stroking them notes, or Jimmy Page going tone-crazy on Whole Lotta Love. The truth is, these guitars are their most photographed showpieces, where their studio instruments vary greatly. Anyway, enough about that. Let’s get to my Silvertone.
The first thing that surprised me was the weight of it: light as a feather. The body is hollow and was made from the cheapest materials at the time, like masonite and poplar wood. When I first held it, I thought that it really is ‘this close’ to actually being a total piece of crap, but the Silvertone I played (and eventually bought) just felt right and sounded great.
Pickups
Just about anyone who knows anything about Silvertones have heard about the pickups. As a budget guitar (back in the 60′s), the guitars were sold for like 19.95, and were built cheaply. The pickup casings are used lipstick tubes which have a really nice warm tone. The pickups are now highly prized, and many artists have been known to buy old Silvertones just to transplant the pickups into another guitar. Check out the history here
The action is also high and the strings are quite tight. Don’t ask me what gauge I use since I’ve left the original strings on. I’m too scared to replace them for fear of losing some of that sweet, sweet tone, but I’ll get the gauge measured at some point. Slide guitar sounds awesome on it, whether I use an amp or not and thanks to the hollow body, this Silvertone resonates well as an acoustic guitar.
The tone switcher is actually quite limited. You can barely hear an audible difference no matter what position the switch is in, but no matter. I have a number of guitars in my collection, and I’ve designated the Silvertone as my ‘openly tuned, blues/folk guitar’. If you want to know, I have it tuned to DADGBD.
The Specs (I don’t know anything about it except the year, so let’s make up some specs)
1960 Silvertone
Tone: awesome
Strings: I have no idea
Used for: Blues and Folk
So there you go. I have since picked up a nice Japanese Tele which I may or may not review here. For now, keep on pluckin’!
m.
